"The End of Painting" is the result of long conversations between Gerhard Richter, the world's most expensive living painter, and Hans Ulrich Abrist over the past twenty-six years with the aim of covering topics that have not been discussed ...
"The End of Painting" is the result of long conversations between Gerhard Richter, the world's most expensive living painter, and Hans Ulrich Abrist over the past twenty-six years with the aim of covering topics that have not been discussed before.
In the early 1960s, Richter was close to the position of theorists who believed that technological advances had made the art of painting obsolete and obsolete as a means of expression. Due to the necessity of living in contemporary times, he announces the death of painting and immediately states that "but one cannot not paint". He breaks the boundaries of media and uses photography and painting to identify with nature; His style does not have a clear single path, he considers the conventions in painting to have an ideological format, therefore challenging the predetermined frameworks is a prominent feature of his works, which always emphasize the human problem, the desire to understand the world and the place of man in it. Is
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