For decades, there has been a debate about what and why film criticism is, and now that cinema has aged very quickly with its short life, still, a few cinema audiences do not know that film criticism is actually a type of writing that, for certain re ...
For decades, there has been a debate about what and why film criticism is, and now that cinema has aged very quickly with its short life, still, a few cinema audiences do not know that film criticism is actually a type of writing that, for certain reasons, very few people can handle! A short tour of magazines, newspapers, and social networks shows an incessant influx of writers who are called critics without writing even a single paragraph of film review, that too with thousands of words of meaningless text that does not show any sign of the language of writing about films. And not a style needle head! It is in this huge confusion that a book like "The Language and Style of Film Criticism" comes to us as a path-breaking, accurate, and accurate book, although a little late. A book that, through eleven essays/essays, in a fluid and mysterious movement, takes the right path of film criticism as a discourse and as a strict teacher/guidance, it reminds us that film critical writing if its method is to open a new window in seeing and evaluating films. If not, it is nothing but a handy essay for the pleasure of many self-proclaimed critics who are scattered around us.
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