With the increasing dominance of capitalist logic over the recent period and simultaneously with the expansion of ideologies aligned with this situation, all social and cultural spheres are undergoing fundamental changes, willy-nilly. Meanwhile, with ...
With the increasing dominance of capitalist logic over the recent period and simultaneously with the expansion of ideologies aligned with this situation, all social and cultural spheres are undergoing fundamental changes, willy-nilly. Meanwhile, with the increasing abstraction of the dependence of these spheres on the totality constituting the social system, the reality left behind by them inevitably turns into meaningless and sometimes worn-out mounds that seem to have originally possessed autonomous meanings with a systemic totality. Amid such a riot, the following article does not come to the fore in the form of literary criticism, nor does it even claim to be a completely sociological analysis, but rather it only wants to be a report and a reading of the background and context of the effective tendencies of several Persian novels in the decade that has passed: the 1990s. On this basis, one of the main goals of this report is to examine how history is narrated in the hidden and silent context of literary works. A dialectical exploration of the political unconscious and class culture that dominates literary works and its relationship with the ideologies that underlie them.
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