The collection of visual studies is dedicated to the theoretical texts that have emerged during the last few decades, especially with the emergence of (visual rotation) or (symbolic rotation), about issues and categories such as image, representation ...
The collection of visual studies is dedicated to the theoretical texts that have emerged during the last few decades, especially with the emergence of (visual rotation) or (symbolic rotation), about issues and categories such as image, representation, experience and visual perception, the relationship between vision and The power, the relationship between text and image, the subject of observation are written based on their social meanings and functions. In this sense, visual studies commented on interdisciplinary researches that are obtained from the balance between various fields such as art history, aesthetics, philosophy, psychoanalysis, film theory, photography theory, and media studies. At the same time, this method of study requires passing the central object of art history and emphasizing and valuing the image exclusively as an aesthetic object. Here, in addition to the political and social functions of the image, the act of seeing and observing is also considered as a historical phenomenon and as one of the factors that form cultural characteristics. And according to the way of social construction, it is placed visually and mutually. In this way, it is hoped that this field of study, relying on such wide-ranging and multifaceted content, can be useful for students who are involved in the process of visual production in the form of various media and visual acts, and for The group of researchers in the field of human sciences may be useful in studying aspects of the problem of image, gaze and visual perception in different ways.
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