What is collected in this book is the result of the author's presence in the publishing environment of Iran; including government organizations, private publishers, and literary press. The format of the writings in the first chapter of the book, ...
What is collected in this book is the result of the author's presence in the publishing environment of Iran; including government organizations, private publishers, and literary press. The format of the writings in the first chapter of the book, against and against the editing, can probably be read as an essay. In these writings, memories, experiences, hearings, perceptions, and learnings of the author are mixed. In the first essay of this chapter, "Editing and Intellectualism", the author explores the history of editing in Iran to find out the relationship between editing and intellectualism. In the second chapter, he has stepped from the field of opinion, which was a shadow of the first chapter, to the field of action. The writings of this chapter are the notes of an editor and therefore have a more practical and practical nature. In the third chapter, lines are drawn from the faces of three contemporary editors: Ahmad Samii (Gilani), Abolhassan Najafi, and Ali Salahjo. This chapter is called "Portraits" and the author's goal is that the audience can get a general idea of the work style and spirit of these three people by reading these monographs.
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