The authoring of this book has various reasons, but the most important reasons are the synchronization of two generations in the authoring of this book, the view of the coexistence of art and technique in addition to discovery and intuition, the nati ...
The authoring of this book has various reasons, but the most important reasons are the synchronization of two generations in the authoring of this book, the view of the coexistence of art and technique in addition to discovery and intuition, the native view of the category of playwriting, the effectiveness of the audience in reading this book, and the Socratic doubt about the accepted practices in the field of playwriting. Is. In our cultural situation and therefore the theater, there is no reflection between the old generation and the new generation. The old generation adheres to tradition without any reason and insists on it and refuses to accept any innovation. The new generation also completely believes in avant-gardeism and rejects tradition. The old generation ignores the new generation and the new generation rejects the old generation. As a result, there is no possibility of dialogue between these two generations. Of course, it should be noted that here the old generation and the new generation do not mean the chronological age, but the age of thought. For this reason, a part of the old generation sometimes finds itself in a situation that appears to be in sync with the new generation, while it does not believe in it, and in some cases the new generation takes advantage of the old generation's position to establish itself. But what we mean by the synchronization of generations is that both have a mutual understanding of each other. If the old generation has a minimal and reliable understanding of today's conditions and needs, and the new generation knows about tradition, this interaction will occur.
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