Erri De Luca and the discovery of music. The music of writing, of course, but also the music we listen to, that fills our days, the music we sing. This "experienced music" begins on the benches of high school with the famous Homeric invitat ...
Erri De Luca and the discovery of music. The music of writing, of course, but also the music we listen to, that fills our days, the music we sing. This "experienced music" begins on the benches of high school with the famous Homeric invitation to the muse "sing me, oh diva of Peleus Achilles", with the Naples of nineteenth-century songs, with Ciccio Formaggio, with the Beethoven recordings by Arturo Toscanini, and continues in the songs of Pete Seeger in the Sixties, The Deserter by Boris Vian, the songs written or reworked together with his friend Gian Maria Testa, the harmonica of Mauro Corona. There are the bombs of Sarajevo and the memory of the songs of fatigue, those tied to the land, those tied to the labor of the workers, there is the music of Stefano Di Battista and the voice of Nicky Nicolai. There is the Mediterranean. There is a whole life that tries to tune the voice.
We are using technologies like Cookies and process personal data like the IP-address or browser information in order to personalize the content that you see. This helps us to show you more relevant products and improves your experience. we are herewith asking for your permission to use this technologies.
4 (0 rating by our users)
