Photographers are always there; behind the camera, ready to capture a moment that others are surely unaware of, otherwise they would also be holding a camera.
But what if someone wanted to capture this photographer with a camera in hand at the very ...
Photographers are always there; behind the camera, ready to capture a moment that others are surely unaware of, otherwise they would also be holding a camera.
But what if someone wanted to capture this photographer with a camera in hand at the very moment of taking the photo? This is what Peyman Hoshmandzadeh
(photographer and writer) did in Eye Style; a portrait of Bahman Jalali (1955-2009) who spent forty years photographing, forty years seeing people and their worlds, and adding something to the world of photography with his photographs.
Eye Style is a portrait in a creative way that simultaneously links together calendars and scattered memories; it draws on photographs, documents, and Jalali’s statements in various interviews, and summons those things that have not been mentioned in any interview, those distant and friendly moments through the memories of the author/narrator; A person with a neat appearance, a first-rate photographer who was both simple and sophisticated, a competent cook with two yellow and red aprons, and an immense passion for cooking, living, watching the lives of others, and taking pictures.
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