If everything in the world can be considered a source of aesthetic experience, then art no longer has a privileged position. Instead, art stands between the subject and the world, and any aesthetic discourse used to justify art must necessarily serve ...
If everything in the world can be considered a source of aesthetic experience, then art no longer has a privileged position. Instead, art stands between the subject and the world, and any aesthetic discourse used to justify art must necessarily serve to undermine it as well.
In the essays of this book, Boris Gervis seeks to escape from established aesthetic and sociological views about art - which always take the position of the viewer and consumer. Instead, how about looking at art from the standpoint of the producer, a producer who doesn't ask what art looks like or where it comes from, but why art exists in the first place?
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