The blind owl narrator had heard that if someone does not have his shadow, he will die by the end of the year, and this was, in a sense, a prophetic prophecy of Hedayat's fate of the contemporary novel. The novel as a literary form has never bee ...
The blind owl narrator had heard that if someone does not have his shadow, he will die by the end of the year, and this was, in a sense, a prophetic prophecy of Hedayat's fate of the contemporary novel. The novel as a literary form has never been safe from the evil of this sinister shadow that followed him in sleep and wakefulness. The novel has to deal with the tragic truth that there are reprehensible elements in the unconscious of the modern story, and ironically, these same elements are embodied in the aesthetic aspects of the novel. This book seeks to answer how these ironic aspects explain the aesthetics of the novel and in what ways they are manifested in its atmosphere. The first part of the book contains theoretical analyses of the aesthetics of the modern novel and the post-structuralist point of view about art and literature, and the second part of the five famous Persian novels from the beginning to the eighties are analyzed and examined from this point of view.
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