This book first provides a brief description of the status and level of education of each artist, and then the reading of the work is discussed. In any case, no matter how much attention is paid to the individual personality and freedom of expression ...
This book first provides a brief description of the status and level of education of each artist, and then the reading of the work is discussed. In any case, no matter how much attention is paid to the individual personality and freedom of expression of the artist, this attention will not be outside the time and space in which the artist lived and experienced. As a result, an effort has been made to address the subject from this angle and give a brief description of each movement in a way that is not boring for the reader.
The collection of foreign works of Tehran Museum of Contemporary Art includes a 150-year period that begins with impressionism and ends with conceptual art. Visual arts have experienced the most diverse periods and forms in the last one and a half centuries. On the one hand, the artists who have been active in the figurative format have continued their activities with a double force, and on the other hand, the artists following the expressive schools have continued their creation.
Geometric abstraction is also still in its lofty position, and minimal artists, inspired by mystical, meditative, and solitary thoughts, have visualized curtains free of any materialistic commitment in a luxurious atmosphere of surface and colorlessness. Many other experimental activities in the form of arrangement, performance, and environment, and the movement of women and minorities, have focused the creative minds of many visual arts activists and have occupied a large and significant part of the artists' force.
The provided collection is not a historical or so-called chronological process, although the arrangement of the works is arranged in such a way that the earliest ones are placed at the beginning and the later ones in the final part of the book. It is clear that making every effort in the field of introducing and popularizing contemporary art is not enough and it is necessary to make more research efforts in connection with it.
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